The clay papers are made according to ancient decorative techniques learned in Africa, using materials from the territory of origin, primarily the clays of the calanchi. They are constructed by assembling tears, stratifications and reliefs free from preordained design intentions. The artist becomes the interpreter of a material rebirth through mixtures of clay, kaolins and pigments that on the previously prepared paper surface, generate ripples, undulations, scratches and roughness, giving it a sculptural value.